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	<PublisherName>International Science Community Association</PublisherName>

	<JournalTitle>International Research Journal of Social Sciences</JournalTitle> 

	<Issn>2319 </Issn>

	<Volume>11</Volume>

	<Issue>3</Issue>

	<PubDate PubStatus="ppublish"> 

	<Year>2022</Year> 

	<Month>07</Month> 

	<Day>14</Day> 

	</PubDate>

	</Journal>



	<ArticleTitle>The Lament of Goddess Pattini and its Therapeutic aspect with Reference to the Mara- Ipaddaweema (Killing and Resurrecting)</ArticleTitle> 


	<FirstPage>36</FirstPage>

	<LastPage>46</LastPage>



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		<Author> 

		<FirstName>Dios </FirstName>

		<MiddleName> </MiddleName>

		<LastName>Erin E. Riego de </LastName>

		<Suffix>1</Suffix>

		<Affiliation>College of Education, Arts and Sciences, Gordon College, Olongapo City, 2200, Philippines</Affiliation>

		</Author>
		<Author> 

		<FirstName>Ferdaus</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Jannatul </LastName>

		<Suffix>1</Suffix>

		<Affiliation>Department of Women & Gender Studies, University of Dhaka, Bangladesh</Affiliation>

		</Author>
		<Author> 

		<FirstName> </FirstName>

		<MiddleName> </MiddleName>

		<LastName></LastName>

		<Suffix>2</Suffix>

		<Affiliation>Department of Women & Gender Studies, University of Dhaka, Bangladesh</Affiliation>

		</Author>
		<Author> 

		<FirstName>Faizi</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Faizulhaq </LastName>

		<Suffix>1</Suffix>

		<Affiliation>Department of Educational Management, Faculty of Psychology and Educational Sciences, Kabul University, Kabul-Afghanistan</Affiliation>

		</Author>
		<Author> 

		<FirstName>Mohammadi</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Eid Mohammad </LastName>

		<Suffix>2</Suffix>

		<Affiliation>Department of Educational Management, Faculty of Education, Bamyan University, Bamyan-Afghanistan</Affiliation>

		</Author>
		<Author> 

		<FirstName>Natiqi</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Sayed Esa </LastName>

		<Suffix>3</Suffix>

		<Affiliation>Department of general Education, Faculty of Education, Faryab University, Faryab-Afghanistan</Affiliation>

		</Author>
		<Author> 

		<FirstName>Azimi </FirstName>

		<MiddleName> </MiddleName>

		<LastName>Mohammad Naim </LastName>

		<Suffix>4</Suffix>

		<Affiliation>Faculty of Economics, Kabul University, Kabul-Afghanistan</Affiliation>

		</Author>
		<Author> 

		<FirstName>Dhavaleshwar</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Chidanand </LastName>

		<Suffix>1</Suffix>

		<Affiliation>Dept. of Studies in Social Work, Rani Channamma University, PG Centre, Vijayapuy-586108 Karnataka, India</Affiliation>

		</Author>
		<Author> 

		<FirstName>Maradi </FirstName>

		<MiddleName> </MiddleName>

		<LastName>Mallikarjun M. </LastName>

		<Suffix>2</Suffix>

		<Affiliation>Rani Channamma University, PG Centre, Jamkhandi-587301, Karnataka, India</Affiliation>

		</Author>
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		<FirstName>Singh</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Neha </LastName>

		<Suffix>1</Suffix>

		<Affiliation>Department of Textile Design, National Institute of Fashion Technology, New Delhi, India</Affiliation>

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		<FirstName>Sethiya</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Aditya </LastName>

		<Suffix>2</Suffix>

		<Affiliation>Department of Textile Design, National Institute of Fashion Technology, New Delhi, India</Affiliation>

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		<FirstName>.</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Anupriya</LastName>

		<Suffix>3</Suffix>

		<Affiliation>Department of Textile Design, National Institute of Fashion Technology, New Delhi, India</Affiliation>

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		<FirstName>Pathak</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Arpita </LastName>

		<Suffix>4</Suffix>

		<Affiliation>Department of Textile Design, National Institute of Fashion Technology, New Delhi, India</Affiliation>

		</Author>
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		<FirstName>Kapoor</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Navdha </LastName>

		<Suffix>5</Suffix>

		<Affiliation>Department of Textile Design, National Institute of Fashion Technology, New Delhi, India</Affiliation>

		</Author>
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		<FirstName>Kothari</FirstName>

		<MiddleName> </MiddleName>

		<LastName>Pragati </LastName>

		<Suffix>6</Suffix>

		<Affiliation>Department of Textile Design, National Institute of Fashion Technology, New Delhi, India</Affiliation>

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		<FirstName>Yadav </FirstName>

		<MiddleName> </MiddleName>

		<LastName>Simran </LastName>

		<Suffix>7</Suffix>

		<Affiliation>Department of Textile Design, National Institute of Fashion Technology, New Delhi, India</Affiliation>

		</Author>
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		<FirstName>Kakaria </FirstName>

		<MiddleName> </MiddleName>

		<LastName>Rupali </LastName>

		<Suffix>8</Suffix>

		<Affiliation>Department of Textile Design, National Institute of Fashion Technology, New Delhi, India</Affiliation>

		</Author>
		<Author> 

		<FirstName>Saha </FirstName>

		<MiddleName> </MiddleName>

		<LastName>Rajbir </LastName>

		<Suffix>1</Suffix>

		<Affiliation>K.R.B. Girl’s College, Fatashil, Guwahati – 09, Assam, India</Affiliation>

		</Author>
		<Author> 

		<FirstName>Weerakkody </FirstName>

		<MiddleName> </MiddleName>

		<LastName>Iranga Samindani </LastName>

		<Suffix>1</Suffix>

		<Affiliation>Faculty of Music, University of Visual and Performing Arts, Sri Lanka</Affiliation>

		</Author>

	<Author>

	<CollectiveName></CollectiveName>>

	</Author>

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	<PublicationType>Case Study</PublicationType>


	<History>  
	<PubDate PubStatus="received">
	<Year>2021</Year>
	<Month>12</Month>
	<Day>24</Day>
	</PubDate>
	<PubDate PubStatus="accepted">										
	<Year>2022</Year> 
	<Month>07</Month>									
	<Day>14</Day> 
	</PubDate>

	</History>
	<Abstract>The physical and psychological entanglements associated with death, separation and loss have been developed through diverse cultural environments in different communities. Mourning is a social behavior a person exhibits over a loss or a death of a loved one or an important person in his life.  Sadness, trauma, melancholy, anxiety, grief, depression etc. are the emotional responses to that painful event. Mourning is a pattern of behaviour that is rooted in different cultural backgrounds which is strongly associated with their faiths and beliefs. Among many different types of Shantikarmas (the socio-cultural and religious rituals) the ones which are associated with the depiction of death are occasions where such cultural behaviour patterns are elaborated. It is conducive to personal and social well-being. This study examines the therapeutic methods used in the Mara Ipaddaweema (killing and resurrecting) ritualistic drama associated with the folk ritualistc practices among the communities who invoke the blessings of the Goddess Pattini in Sri Lanka.</Abstract>

	<CopyrightInformation>Copyright@ International Science Community Association</CopyrightInformation>

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